Dave Brubeck, a jazz
musician who attained pop-star acclaim with recordings such as “Take
Five” and “Blue Rondo a la Turk,” died Wednesday morning at Norwalk Hospital, in Norwalk, Conn., said his longtime manager-producer-conductor Russell Gloyd.
Brubeck was one day short of his 92nd birthday. He died of heart
failure, en route to “a regular treatment with his cardiologist,” said
Gloyd.
Throughout his career, Brubeck defied conventions long imposed on
jazz musicians. The tricky meters he played in “Take Five” and other
works transcended standard conceptions of swing rhythm.
The extended choral/symphonic works he penned and performed around
the world took him well outside the accepted boundaries of jazz. And the
concerts he brought to colleges across the country in the 1950s
shattered the then-long-held notion that jazz had no place in academia.
As a pianist, he applied the classical influences of his teacher, the
French master Darius Milhaud, to jazz, playing with an elegance of tone
and phrase that supposedly were the antithesis of the American sound.
As a humanist, he was at the forefront of integration, playing black
jazz clubs throughout the deep South in the ’50s, a point of pride for
him.
“For as long as I’ve been playing jazz, people have been trying to pigeonhole me,” he once told the Tribune.
“Frankly, labels bore me.”
He is survived by his wife, Iola; four sons and a daughter; grandsons and a great granddaughter.
No comments:
Post a Comment